Tuesday, 22 July 2025

How do we ensure we’re not cross-contaminating review lists with you?

 


It’s unlikely that we’ll pick the same reviewers as you. We have a mailing list of reviewers we send out to.  We also sometimes approach professional reviewers who advertise via their web-site. And occasionally we might approach people in special interest groups.  We query as a publisher, whereas you will query as an author. Even if they’re presented with the same book twice they may well even review differently for a publisher (production values, editing, book cover) from the way they would for an author (style, voice, characters, plot).  Or they’ll just say ‘no’. ‘No’ doesn’t actually hurt anyone        

Thursday, 10 July 2025

Tales of the Unelected by Dan Corry

 

How we came to publish this one

Dan was actually a client of Debz. She recommend that I look at this one and I did like what I saw, even though it was clear the readership was going to be quite specialised.  

The title

There is quite a play on words here but it works very well.      

Some notes about the process

Debz had already worked extensively with Dan on this project. Yet his book was at the stage we hope most books are when they come in to us: as good as the writer themselves can get it ….and then we start editing it. So, Debz took Dan’s book through stages one and two of editing and I did the final proof.  

The cover

This started off as a photo taken by Dan’s wife. Well what else would we have for a book like this other than a photo of the Houses of Parliament? It was quite dark to start with and we had to manipulate the picture to bring more light into it. But that landscape photo is exactly the sort of image we like for our photos: room for the title and by-line on the front and room for the blurb on the back, yet the would -be reader can still see the picture.  

Some notes about style

There is some dry humour in these stories. They are narrated in a matter of fact way and the writer doesn’t tell the reader what they must think. The latter is left to make their own mind up.  

Who we think the reader is

The reader will have some interest in politics and current affairs but will be worldly  wise enough to appreciate that everything can’t be reduced to black and white. And they’ll be given a lot to think about.    

What else

The book is selling well. A very lively launch was held a stone’s throw from where the cover photo was taken. Debz attended and rubbed shoulders with several well-known public figures.    

Review copies

It’s always great if you can buy the book and give us a review. Just click on the link to be taken to our bookshop. If you would like to review and you are strapped for cash, just get in touch for a free PDF or e-book file.

 

Grab your copy here.        

Tuesday, 8 July 2025

Do you set up the Amazon page?

 


The Amazon page is set up from the information we send to Ingram’s, our distributor. This is largely the same as the back cover blurb. We use a particular formula for this.  Note, if you have written a book for children Amazon asks readers who review the text the age of the child they bought it for. So the assigned age can change and this is beyond our control.   

As a writer you should create an Amazon author page and encourage people to follow you. This means that every time you have a new book out and you register it on that page, even if it’s just a story in a multi-author collection, Amazon notifies all of your followers.  The more followers you have the more visible you become. And this will also help other authors in a collection.

Note we have world-wide distribution, and this includes all of the Amazons.   

 

 

Friday, 20 June 2025

Getting those book covers right

We are unusual in that we give authors quite a lot of say in what their book cover might be like.

The overall concept

We ask our authors to give us a concept for the book cover. We almost prefer words at this point to pictures. Very specific pictures often have so many problems that we really have to let them pass.

 

One book was called See Through a Glass of Red and the author asked us to represent that description on the cover. It worked!

 


We issue a caution with short story collections. Wait until we’re at least through Edit 1. Sometimes we rename a story or even take it out altogether. What if that were the one you’d based your cover on?

 

Covers shouldn’t give spoilers but they can hint at what’s happening.

 

Don’t commission too soon

Your father/ son / sister / aunt may be a talented artist or photographer and you may have a vision of what your book cover may look like. But please don’t ask that relation to do too much work until we’ve had an opportunity to talk to them. Certain things have to happen: e.g. there must be room for the title and the by-line. The colours must be bold enough to show up. It’s such a shame if all of that effort goes to waste.

 

Types of picture

We like landscape pictures with the focal point on the right (though we can flip it if need be). Over on the left should be some sand / sea / sky / grass or fencing etc. that we can write the blurb on. 




 

 

This picture has been flipped yet no one complained about  the Blackpool Tower facing the wrong way!  

 

Occasionally we have used a portrait picture and just made the spine and back cover a contrasting colour. This is particularly so for novels in the Schellberg Cycle, The Red Telephone, Feisty Women and Walela. 



 

 

Take care with blue

It’s generally quite hard to get the colours on the cover to print as you see them on a computer screen. We have our screens configured so that we’re pretty near to what one can print. Blue can be notoriously difficult.

 

Available on the net doesn’t mean copyright free

No, it doesn’t. And you can get into a lot of trouble for using pictures that aren’t copyright free. We use pixabay a lot: not only are the pictures copyright free but also they are free. However, we do give a small amount each month to them which is shared between all of the artists and we do acknowledge any artist we use. 



 

 

Picture books are a little different

The design for the cover normally comes along with other illustrations though we often find that author-illustrators forget this one very important illustration. 


 


Working with artists

There are a handful of artists we work with who understand the way we work. Usually though if we work with an artist it involves us in more work than if we work on our own. We do also do a little of toing an froing with the writer. Sometimes we vary the font or the size and colour of the font. Often we’ll involve the writer with the blurb that goes on to the back cover. This has usually already been decided by this stage.

 


 


Pulling the eye of the would- be reader into the picture

It’s a little trick; if the potential customer is drawn into the cover picture they are more likely to buy the book.                

 


Saturday, 31 May 2025

Does the link from the Bridge House and the Bridgetown Café website to Amazon just go to Amazon UK?

We asked those writers who were published in "The Best of CaféLit 8" to vote for their five favourite stories published on the CaféLit web site in 2019. We awarded five points for number one choices, four for number two and so on. These are the stories that received the most votes.

Each story in this little volume is the right length and quality for enjoying as you sip the assigned drink in your favourite Creative Café. You need never feel alone again in a café. So what's the mood today? Espresso? Earl Grey tea? Hot chocolate with marshmallows? You'll find most drinks in our drinks index.

 RRP  £9.00

Buy from Amazon  


We actually use a universal link that should take you to your local Amazon. However, occasionally there is a blip and it takes you somewhere else. This is Amazon, not us! Never fear, all you need to do is copy the ASIN (for the e-book) or the ISBN (for the paperback) and paste into you own local Amazon’s search facility to be able to buy locally.

 

Incidentally, we use an affiliate link that means if you buy the book via that link we get a few pence as well. Indeed we even get a few pence from anything else you buy while you’re there. It’s not a lot – currently about £25.00 a year but it helps us to cover set up costs for books and web site maintenance etc.                     


Thursday, 22 May 2025

Copyright Issues with Book Covers






 

Not every picture you see on the Internet is there for your own use. All you may do is admire it. The majority of them are copyrighted.

 

There are three ways to avoid copyright problems:

1.      Use something that is in the public domain.

2.      Use a stock site – and our favourite is Pixabay, as the pictures are not only copyright free but also free. And they provide them in the right sizes. You do need to check the license though. And we do pay a regular monthly amount, voluntarily, which is distributed with other monthly amounts between the artists. You could also contribute to that artist if you like.

3.      Commission a picture or even the whole cover.

 

There are three problems with the latter:

1.      It’s a much more for us working with an artist or a cover designer. There are technical, artistic and house style consideration to take into account and there is often a lot of discussion about this. 

2.      We need to sell between 250 and 1000 books to cover the cost of commissioning a picture or cover. Often the author will offer to pay for this or offer some of the costs but this muddies the waters even more for 3. below.    

3.      Who owns the copyright on pictures / covers such as these? Professional graphic artists tend to license us for the cover up to a certain number of copies and then we have to pay again. There is also limited use in marketing situations. There is no limit at all in the covers we produce ourselves and we even allow the authors unlimited use of the materials.           

 

So, on the whole we’re happier controlling full production of the cover. Sometimes, however, we commission an artist ourselves especially for novels – this particularly applies to The Red Telephone and Walela but we make sure we get full rights to the material afterwards.      


Saturday, 17 May 2025

If people write a review, where do they publish them?


 

One of the main reason we ask for reviews is so that we can get fifty plus on Amazon which really makes our book more visible there. Once we have fifty or more reviews, Amazon becomes much more proactive in promoting the book. Even if they’re not all five star.  

 

However, you have to have either bought the book from Amazon or have spent enough with them otherwise to be able to post there.

 

We generally ask that reviewers post to Amazon, Good Reads and Storygraph. You can use the same one for all three. Anyone can post on Good Reads or Storygraph.

Reviews don’t have to be long, but reviewers should try to say why they thought the book was excellent if they gave five stars and where it fails at all if they give fewer.  

 

It’s great if reviewers can send the review to the author who can use it on their own  social media and web sites in turn might forward it to us. We keep three reviews on our online bookshop. If you think the latest one is better than the one you have there, just give us a shout.

 

We’ll often anyway flag up a review to our Facebook page followers.

 

Reviewers might also put up their reviews on their own web site or social media.