I’m currently editing short stories for an anthology that
comes out shortly before Christmas. There’s very little to do in what I would
call the first structural edit. We had four times as many stories submitted as
we needed so all of the ones we selected really work quite well anyway.
There were just one or two instances in the twelve I edited
where something didn’t quite make sense – not because the story was
ill-conceived but because there was a small problem with the language.
Nevertheless this time I’m going for three stages of editing
– all conducted electronically. I thought it might be useful to describe this
process here.
Edit 1
Here I just make comments. I use the “review” ribbon in Word
but I don’t track changes at this point.
As I read through, I’m genuinely looking for the big stuff. Are
characters rounded? Is the pace right? Is it all logical? But I will point out
other things as well – such as wrong formatting, awkward phrasing and point of
view changes. This give the author chance to put these right themselves. Some quite
substantial changes can be made here
I do ask the authors to return the texts showing track changes.
Edit 2
This is a mixture of comments and actual changes. This time
I am purposefully looking for awkward bits of language, weaker parts, clichés, and
missed opportunities for showing. I will actually correct formatting mistakes,
house-style problems and typos. Again, writers return their work with the
changes showing.
Edit 3
This is really a first proof edit. I use track changes both
ways here. The text gets another proof-read – by the authors themselves, the
editors and another person - after the camera-ready text is produced.
Tip for dealing with
track changes
Don’t just go through and accept each change as you come to
it. Hide the changes and reread the text. Only show the change if at any point the
text doesn’t seem to work well. Editors have a knack of being right. Sometimes
you can be ambivalent about what you see. If so, go for the editor’s
suggestion. Hiding the changes thus still leaves you with the right not to accept
something that just doesn’t work for you.
Remember your editor is only trying to strengthen your work, not know
better than you.
As a writer myself, I find that I agree with about 80% of the
editor’s suggestions. Even for the rest I often agree that the text isn’t working
at that point. I need to find an alternative.
If writer and editor can work well together the text will certainly
benefit.
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