Pot-luck selection
Just a sample here.
Buy a randomly selected bunch of three books for just £10:
As an expert in children’s lit and also a former teacher I prefer not to think in age groups, but rather stages of development; I tend to categorize as preschool(picture books where adult and child enjoy a book together), emergent readers, early fluent readers, fluent readers, teen and young adult. There are rough age groups associated with these: 3-5, 5-7, 7-9, 10-13, 14-17 and also there are the key stages in the UK education system.
Amazon will change the age group organically. They ask everyone who reviews a children's book the age of the child the book was bought for and adjust the age description accordingly.
What is most important is how well a text suits its target reader and that has more to do with intellectual maturity and reading age than actual physical age.
Anne has written several stories for CaféLit. We also have a connection with her through North Wales.
This comes from the title of one of the stories. This is a reasonably common practice.
The book went thought the usual three stages of editing though several of the stories have been published before. We're finding more and more that we still want to edit.
The cover illustrates the story after which the collection was named. Terry Mart, the cover artist, is a friend of Anne's.
Anne definitely tends towards the literary and has also included extracts form her novel, Quinn. These excerpts do work as standalone stories.
These stories are for the thoughtful reader. They are also a good length - long enough to have some complexity but short enough for people who only have odd moments to read.
Anne has several more publications with connections to North Wales. .
It’s always great if you can buy the book and give us a review. Just click on the link to be taken to our bookshop. If you would like to review and you are strapped for cash, just get in touch for a free PDF or e-book file.
We distribute through Ingram’s. We occasionally work with individual bookshops BUT this is work intensive for us especially as indie bookshops are notoriously bad at paying. The vast majority of our sales are handled by our distributor with some coming through our web site and from authors directly.
However there are lists of booksellers available – Google is your friend.
Indie bookshops vary in their enthusiasm though many will support local authors especially if they know you. Cultivate their friendship. They will often facilitate a book event for you.
Some will take books on consignment - i.e. we supply you with the books, they sell them through their till and we or you invoice them for 65% of the RRP. You scoop up the remainder and use them for the next event.
A useful pattern is for you to arrange events ten days apart and top up your supply after each event.
To help you with this we can let you have twenty books up front. We call this the author kit.
In wartime it is not only the soldiers on the front line that suffer. The families and communities left behind must try to make sense of the conflict imposed on them.
This story is set in a fictional town in France in 1914 and again in 1924. We meet Amelie, a teenage girl confined to her room by polio and her dysfunctional parents. Amelie dreams of release from the restrictions of her life in a room above a hat shop. Through her eyes we meet the townsfolk struggling through conflicts and coping with the fundamental changes that war brings.
We also meet the people that Amelie watches going about their business as the reality of war impacts upon their small town. The aspirations and fears of young and old, poor and prosperous, hard-working and indolent, are noticed by an itinerant photographer who returns in 1924 to record what has changed and what, if anything, remains of the old way of life. He sees possibilities for some and catastrophe for others; no one is the same after the war.
Penny Rogers captures the essence of small town life and the profound effects of war. We see compassion and judgment, humour and tragedy, generosity and selfishness; along with redemption in some unexpected quarters.
RRP
Paperback £7.00
Kindle £2.25
Technically our books should never be in stock so an 'out of stock' notice shouldn't really be cause for concern.
We quite proudly use print on demand which means that usually books aren’t printed until they’re sold, our customers get brand new copies, your book need never go out of print, we keep in the black financially and we're looking after the environment..
However, some of the big retailers will often buy five or more in one go and then when they've sold the last one will put up the 'out of stock' notice. It seems to imply there may be some difficulty with getting the text. If Amazon does this, I use the 'report an issue' to remind them that our printer does big print runs several times a week and the title should only take two to five working days to get into their hands. So they get the book to Prime customers within three to six working days.
We can also provide books but bizarrely it sometimes takes a little longer for our orders to be processed. Plus we have to charge shipping on up to four books. Once a customer orders five or more the per unit shipping plummets and we can waive it.
We can never dictate to retailers what to do. Annoyingly Waterstones often says it will take several weeks to get the book. But it doesn't. The printer does huge print runs for Waterstones – this may include a couple of ours and a couple from hundreds more small presses.
We've even had Gardner's (the biggest UK book wholesaler) apologise for giving misleading information.
If you’re finding availability problems, they shouldn’t exist. Keep calm and notify us. We'll put whoever it is right. Great if you have a go as well.
We don't distribute what we call the 'media kit' to booksellers. The 'media kit' is really for authors. It comprises four different versions of the cover, a PDF, a Kindle file for those books that are also published as an e-book for Kindle, an order form with author discount and the latest version of our marketing plan.
Booksellers find out about our books in several ways. The most important is through Ingram's, our distributor who alert all major retailers about the book. Our books all carry ISBNs and are registered with Nielsen's which means any retailer can find out how to obtain the book.
Very occasionally we work directly with bookshops. Often these are local to a particular writer who may have popped in to chat to them or indeed sent them information about the book. Sometimes our writers work directly with a bookshop.
There are several ways you can do this.
This is perhaps the rather obvious one. Just think. Every time you buy one of our books an author receives a small royalty and this also goes some way to enabling us to publish more books.
We’re not for a moment suggesting you should buy every book we publish but do take a look at them and buy any that appeal to you.
How to find our books?
We mention every new publication in our newsletter. Not receiving this? Sign up here.
Every week we send out an email that either mentions our latest publication or tells you of offers on some of our books. Occasionally we pick three random books and make an offer on those. Everybody who has signed up to the list gets news of the new publication and the random offers. Other weeks we have target offers- for example. young adult books, little square flash collections or single author collections. You only get these if you have opted into them. If you would like to sign up for this list you can do so here.
The same material is also published on Scribblers Book and here you can find additional offers.
Browse or search our book shop now and then. You’ll certainly find some good choices for birthday and Christmas gifts there.
Also, I’ll often offer a free book on bank holidays. Look out for these.
Strapped for cash? Contact us for a review copy – as long as that title hasn’t already got its 50+ reviews on Amazon.
We really try to get those fifty or more reviews on Amazon and we’re always willing to offer a PDF or a file for Kindle of any of our books that haven’t managed that yet – even if you aren’t allowed to review on Amazon – where you have to have either bought the book from them or spent enough with them in other ways.
Again we don’t expect you to review every book we mention. I actually review every book I read. After all, why should I expect people to review my books if I don’t review others? There is always the worry that you really won’t like a book and you want to be honest. Two points here: even two and one star reviews tickle the algorithm. I did read a certain very popular novel and gave it a one star review. But it really wasn’t my type of book. I’m fussy about what I read. Hence, I end up giving mainly four and five stars and very occasionally a three star.
Reviews don’t need to be long. Who has time to read long ones? A couple of paragraphs is enough. Say what you liked about the book and say what you didn’t like Justify the star rating. Can you give a reason either way per star?
We suggest that your review on Amazon (if you’re allowed), Good Reads where they’ll let everyone review and on Story Graph, which has a few nice additional features. And send us a copy of your review. We may put it on our online bookshop if we don’t already have three good ones. Or we might put it out on our Facebook page. And of course you can use it on your own sites and social media.
Part of our marketing routine is to send out requests for reviews. If you would like to be on the list, sign up here.We notify you of all new publications that need reviews and only tell you about the back list that needs extra reviews in the genres that you sign up for.
You will notice on our online bookshop that we have Amazon affiliate links. This means that if you buy from Amazon via that link we get a few pence as well. If you then go on to buy toilet paper, new underwear or confectionary, we’ll get a few more pence.
You might also like to look out for affiliate links on authors’ web sites. Okay so this time we don’t get the revenue but you’re still helping that author to sell titles and that may include one of ours.
If you follow authors on Amazon they become more visible. The Amazon algorithms get to work if an author has followers. Even if one of our authors writes completely different material from you, you at least you have in common that you are published by us. How to find their page? Find their book in our online bookshop. Follow the link to Amazon. Click on their name.
You might like to create an author page on Amazon even if you’ve only had one book published, Even if that’s only one story in an anthology. It all helps.
A new version of this is publish every month on https://apublishersperspective.blogspot.com/p/31-day-book-tweak.html. We adjust to reflect what we’ve deemed to be successful the month before. You could this list for all of your books. Do one action a day: work through your list, starting wit the one that’s sold the least.
Some of the action require a payment and if you don’t want ot pay or can’t pay, perhaps think of an equivalent that doesn’t cost. Instead of doing an Amazon ad for example could you flag up a book on social media page?
Some actions might be only suitable for a publisher to do but could you think of an equivalent one you could do?
Sometimes writers pay quite a lot to go on a blog tour. Yet we already have an easy way to connect to other writers. Our newsletter goes out over 600 authors. If you join the Scribblers Group, you have immediate access to a smaller group of proactive writers.
How to make this work? If you see a writer you’d like on your blog in our Publication or Writers’ News slots and you don’t have their contact details, contact me and I’ll put you in touch.
Not in Scribblers but would like to join? To be in the Scribblers Face Book group you must be published by us or work for us. ‘Published’ can be as little as one story on the CaféLit e-zine or as much as several single author titles with us. ‘Work’ can be as little as having proof-read one book or helped with a book launch.
You need to be invited to join. If you’d like an invite, then contact me. Then there are three questions to answer:
Then, all you need to do to see if someone will have you on their blog, is put a general notice in the group.
Several of our sites have a ‘Kofi’ button on. It invites you to shout us a coffee i.e. pay a small amount towards what we’re doing. Also as you know you can pay us a tip when you submit via Duosuma. Many of you have bene very generous with this and thank you for that. We’d never suggest for a moment that you pay something every time you visit one of our sites or every time you submit but if you can occasionally, that’s great.
Half of what we get that way goes to CaféLit writers and half goes to general expenses: web site space, set-up for books, ISBNs, copies to the British Library and the Legal Deposit Libraries – what’s flagged up in the Overheads spreadsheet , updates each month in Dropbox.
As you probably are aware, you get the rights back to your work three years after the release date in your contract. Individual short stories on CaféLit or in our annual anthologies are yours again as soon as they are published. We do reserve the right to republish your CaféLit story in The Best of CaféLit.
However, we don’t take your book out of print unless you specifically ask us to. But it does cost us £8.40 a year to keep it in print. This is actually incredibly good value for the service that’s provided BUT we need to sell sixteen copies of the book to cover the expense.
Donations are always gratefully received.