The perils of sale or
return
This can be a real sticking point for small publisher and
book sellers. It can upset a very carefully designed financial plan that
otherwise means the publisher doesn’t
pay any upfront production costs until the book is sold. It can leave
the publisher out of pocket and can prevent the writer from receiving
royalties.
If publishers don’t offer sale or return, they are not
attractive to the book seller. The book shop only has so much shelf space. They
can’t keep books that are not selling there forever. They need to sell books.
What return actually
means
Usually if books are indeed returned they are not sell-able.
They may have had stickers put on. They
may have been man-handled. They will have traveled around quite a lot. It’s relatively common practice for the
bookseller to remove the covers and return just those to the publisher as proof
that the book has not been sold. If mass printed conventionally, that’s
probably 20p per copy, so perhaps bearable. However, if the publisher is using
print on demand as many small publishers now do, the unit cost is considerably
higher – pounds not pence. In both cases, it’s also common practice to set this
loss against royalties earned. The author is not charged for the loss but
shares the loss with the publisher.
An alternative method
We’re experimenting at the moment with authors who set up a
signing tour. We’re offering a kit of twenty books which we supply to them. They
take them along to the signing. Any books sold go through the retailer’s till
at full recommend retail price (RRP). We then invoice the retailer for 65% of
the RRP and top up the author’s supply. If there are books left over at the end
of the tour, the author may purchase them at 75% of RRP, our normal discount to
authors. If they can’t afford that at the moment we’re happy to set the cost against
royalties.
We are taking several risks here:
·
We’re supplying 20 books upfront – costing us £40-£80
·
Some book sellers are very slow in paying
·
The author may not be able to afford to pay and
may never “earn out” what they owe
However, these are relatively small risks.
Win, win, win
Pretty well all of the risk is removed for the book seller. They
maybe just need to spend some time and effort advertising their event. No doubt
the author will also help here.
The author will look after the “return” copies. It’s in her
interest, after all.
The risk to the publisher is only small and allows them to
offer sale or return in a reasonably safe way.
A few further comments.
We’re not yet sure whether we’ve got the number right. Are
twenty books enough? Too many? Signing tours need to be planned so that there is
enough time between events to get the orders processed. Ten days to two weeks seem
to work.
If this works successfully and we start to get a reliable
average number of books sold this way, we may consider supplying all of the
books upfront in the future.
No comments:
Post a Comment